"Thank God For California"

Joan Didion graduated from UC Berkeley in 1956 with a degree in English. Between 1955-1960, she wrote a number of letters to her friend Peggy La Violette detailing her cross-country train travels, life at home in Sacramento and as a senior at UC Berkeley, and her work at Vogue in New York. Her letters were great fun to read and I think fans of her writing will find her salutations particularly charming.


Written on a Thursday from her home in Sacramento

Written on a Wednesday evening from the La Salle Hotel in Chicago

--- M. Bryer

F*** U

Ed Sanders, editor of Fuck You / A Magazine of the Arts sent this letter to the Acquisitions Department of the Main Library at UC Berkeley on February 21, 1965 (BANC MSS 92/788)


Sanders, a Beat poet, member of the band The Fugs and owner of Peace Eye Bookshop, founded Fuck You and published 13 issues between 1962-1965. According to the Verdant Press website, the magazine "was considered one of the most influential underground magazines of the early Sixties." The mimeographed journal featured poetry and included a veritable who's who of 1960s poets, artists and writers, including Andy Warhol, Charles Olson, Allen Ginsburg, Philip Whalen, Ted Berrigan, Frank O'Hara, Robert Creeley, Robert Duncan, Gary Snyder, Gregory Corso, William Burroughs, Diane DiPrima and Leroi Jones.

(See http://www.verdantpress.com/fuckyou.html for more information)

--- M. Bryer

Berkeley in the Seventies

The Sexual Freedom League (SFL) was founded in New York City in 1963 in order to promote the political ideals of sexual freedom. It became associated with the Bay Area when Jefferson Poland, one of its founders, moved here and concentrated his organizing efforts at the University of California, Berkeley. Poland founded the Psychedelic Venus Church, an offshoot of the League, circa 1970. As a catalog entry from the Sexual Freedom League Collection at the Kinsey Institute at Indiana University points out, these records are of interest to scholars researching sexual attitudes (and sexual politics) in the U.S. in the 1960s and 1970s.

These flyers from the Psychedelic Venus Church are invitations to events the group held in Berkeley. (Sexual Freedom League Records, BANC MSS 83/181)

--- M. Bryer

Miss Rural Electrification

Jan Brown, a student at Angelo State College in Texas, was named "Miss Rural Electrification of 1966" at the National Rural Electric Cooperative Association's (NRECA) annual meeting in Las Vegas. Brown represented the Central Texas Electrical Co-Op at Fredericksburg. The cover story noted that she "proved that beauty and brains go admirably together." If we view pageants not merely as trivial or exploitative, but as civic rituals that produce political subjects, then we can see Brown as the feminine embodiment of the values of the co-op she represented.

According to its website, NRECA was organized in 1942 to overcome shortages of electric construction materials during WWII, get insurance for newly constructed rural electrical cooperatives and "mitigate wholesale power problems." "Rural Electrification: Non-Partisan, Non-Profit, One-Cent Electricity for Rural America," was the Association's monthly publication. Today, NRECA represents "the national interests of cooperative electric utilities and the consumers they serve." They still publish "Rural Electric Magazine" on a monthly basis.

We found this issue in the Grace McDonald papers (BANC MSS 85/139). McDonald, a consumer advocate, helped form the California Farm Research and Legislative Committee and was Executive Secretary of the California Farmer Consumer Information Committee. In addition to lobbying on behalf of farm laborers, McDonald also worked on occupational health and safety issues. Her 1951 novel, "Swing Shift," written under the pseudonym Margaret Graham, told the story of organized and unorganized railroad men, miners and tobacco workers.

--- M. Bryer

African American Ephemera

James de Tarr Abajian (1914-1986) was librarian of the California Historical Society from 1950-1968. He also served as curator of the Kemble Collections on Western Printing (until 1977) and as archivist for the San Francisco Archdiocese of the Catholic Church (until he retired in 1983). Abajian compiled many significant bibliographic resources on African Americans in the United States. These included Blacks in Selected Newspapers, Censuses and Other Sources: An Index to Names and Subjects and Blacks and Their Contributions to the American West.

Abajian also collected ephemera that documented the lives of African Americans. The following images were culled from his collection of Black ephemera (BANC MSS 82/77). These flyers and pamphlets offer a window into a wide variety of social, political, economic and religous activities in African American communities throughout California, circa 1968-1969.

--- M. Bryer

A message of peace for the holidays

Several months ago I was surveying the Paul Seabury papers, Banc MSS 91/115, currently an unprocessed collection. I came across something unique among the papers in the collection and extraordinary in itself. Although I am still not quite sure it was authored by Seabury, a few clues do point in that direction.

"And the Shrimps Eat Mud" is a sort of primitive graphic novel, like a picture book for adults, mostly revolving around themes of power inequity and war. It tells the story of a mythical Charles Darwin, fretting over the ways that powerful men oppress their less powerful fellows, and how the oppressed are often forced into war.

It is dozens of pages long, and I found the cartoon drawings very touching, especially in the way the faces of downtrodden or underdog characters are portrayed on many pages.





































































In the story, eventually the downtrodden peasants revolt and refuse to engage in the rich men's war, and Darwin is no longer plagued by sleepless nights.




















The estimated dates for "And the Shrimps Eat Mud" are not consistent with the bulk of the collection-- the paper it's drawn on, the style of drawing, and the outfits of the military figures all suggest the cartoon was created after the first World War but before the second. Yet Seabury was born in 1923, too late to experience the effects of World War I firsthand, and he as far as I can tell he did not come to teach at Cal until the 1950s (I think)-- and the bulk of his papers date from the 1950s-1980s.

However, Seabury's calisphere entry notes that while he was often labeled a reactionary, he was also a harsh critic of the powerful whether in politics or religion, which is the central point of "And the Shrimps Eat Mud." He is also characterized as whimsical, which the cartoon definitely is.

Whomever the author, this piece has captivated my attention. It is one of those rare gems in the archives with the immediacy to connect us to the humanity beyond the stacks. Items like this one make every day of the survey worth its weight in gold.

Happy Holidays everyone!
- D. Miller, 12/21/2009

Motto: Be Merry

Surveying account books and ledgers is never very exciting. However today when I was surveying the Mokelumne Hill Canal and Mining Company account books I was surprised to come across some drawings!




I can only guess that these were done by a child of someone who worked at the mining company or who kept these books before they were acquired by the Bancroft.

Later on in the volume there are some rules and a list of officers for a club.




The rules read:
Come to every meeting you can.
Don't be silly.
Obey orders.
Keep the Promise.

Promise?

Motto: Be Merry

Now depending on what the promise is (they were smart enough not to write it down) this sounds like a fun club to be a part of!


Banc mss C-G 280, Mokelumne Hill Canal and Mining Company account books, 1854-1907

-A. Croft